Saturday, June 29, 2013
Sunday, June 23, 2013
On Book Banning (On #2)
A/N: I wrote this almost two years ago, so it's not as fabulous as my most recent posts, but it will do.
"A story only lives if someone want's to listen." J.K. Rowling, Author of Harry Potter Series
Well you know what? I want to listen. For many years, for as long as anyone can remember, and for as long as we can trace back, Books have been banned. Book Banning is the banning of books for certain reasons-sometimes very idiotic reasons-and banning them from certain places or people as a matter of fact. Writers all over the world-including us-spend hours and hours working hard on that one book that's been nestled in the back of their mind forever now, and then when they finish they are immensely happy. They send it off and its published. They do a few interviews, people start to read it, and then Little John decides he wants to read the book to see what all the hypes about, and so does Miss Little John. When Little John finally gets around to reading the book, she screams her little head off because of the word damn. Mind you the book is a innocent children's book that's suggested for children Little John's age, but Miss Little John doesn't give two craps what its suggested for, she doesn't want other kids seeing this word, she doesn't want them saying that, she doesn't want to see this book. So she goes right ahead and gets a great flock of people like her, and bans the book. Now, Jason-who's been dying to read this book at last-can't read it because its not in the library, its out of print, its done. All barbecue Miss Little John read the word damn.
This is what happens when a book is banned. Books are banned for reasons, yes I understand that, but sometimes book banning isn't necessary. As most of you know I am a very descriptive, graphic, and raw author, and I like it that way. Some people believe my writing is a bit to harsh for some readers-The Maze Games for example, which needs to be toned down a bit-and that some people shouldn't be reading it, moreover I shouldn't be writing it in fact. Some people, on the other hand, believe my book is wonderful and they have no problem with my raw and real style. Now, mind you that most of the time I write books for teenagers or 12 and up because of the raw material in my books. No, I don't think a seven year old should be reading The Maze Games, No I don't think that a parent would very much recommend The Maze Games to a seven year old. But that's just because the book wasn't made for a seven year old. This is why some books get banned, because parent hounds it down and decides that no one should be reading this kind of stuff. This is where I bring in another novel that was Banned for obvious reasons, compare the two as I do. Rage is a novel by Stephen King under the pen name Richard Bachman. King/Bachman wrote Rage as the first Bachman book. Rage is a physiological Thriller about a teenager who kills his teacher and holds his class hostage. About a year after Rage was released a string of events based on the novel Rage appeared, with teenagers across the country doing just as the book did, reading it like an instruction manual on how to get revenge on your enemies. King and Libraries banned the book because what happened in the book happened in reality and had the book been still in print today, then there would have been a lot more killings. King says he regrets ever writing the book as well, but to my point. The Maze Game is a book that, quite frankly, you can't replicate at all or try and get people to do stuff, The Maze Games is when they get powers and have to escape a Maze while the Main Character battles with a dark creature as well as his own mind(you'll see what I mean when The Maze Games is published- nothing there for people to actually do something bad with. But Rage was a book that had to be banned, because people were copying the actions in the book. This is why I do not agree with book Banning because there is a certain degree until you just have to ban it.
Harry Potter-believe it or not-is actually a banned book in some states and some countries. Parents whose children read Harry Potter were afraid that their children would start doing witchcraft, or that JKR was influencing witchcraft through her books, as well as why her books were so popular. Harry Potter is the story of an orphaned boy who finds out that he is a wizard, goes to a school called Hogwarts, School for witchcraft and Wizardry. He also must battle Voldemort who wants to not only destroy Harry Potter but also anyone who comes in his way of getting what he wants, Harry being the only one who can stop him. The first thing that Harry Potter was banned about was the promotion of Witchcraft in children. This reason is not understandable by any means to me. Harry Potter is much like Lord of the Rings, Dracula, Alice in Wonderland, The Wizard of Oz, Frankenstein, etc., etc.. It is, moreover, an innocent Fantasy story made for the entertainment of people around the world. Harry Potter in fact is a Once upon a time story, that you can read a child to bed at night. There have been no such reports that children began to actually do magic, that they went on a secret satanic train to a school called Hogwarts, or did something similar. It is just a Fantasy and nothing else. The next thing is that Parents believed that the tales of Harry Potter were much darker with years 4-7. Yes, I do agree with that. But, this is nothing to fret over. I've seen some of the last Lord of the Rings movie, and that was pretty dark itself, but has anyone complained over that? No, still hundreds of fans continue on and on with LOR. Years 4-7 of Harry Potter follow Harry beginning the battle with Voldemort, meaning that bad things will happen, also Harry was getting older in those years. Subjects would of course become darker. Matters would get worse. And there would be more deaths. This may well be the only thing that I have to say Harry Potter wouldn't be recommended for kids on. The Dementors would possibly give kids Nightmares, Voldemort and Snakes would probably cause parents to think of Satan, and the deaths of good people would make children very...puzzled? But, Harry Potter should not be banned because overall they are a children's story, and they have brought much joy to kids around the world for years now, the Potter books deserve a seat on the shelves of libraries everywhere. Potter is a children's tale, children's tales should not be banned.
Parents who buy their children books have the right to dictate what books they do and do not read, and I respect this. But these parents should not go on a book ban because they saw it not fit for their child. Just because a book is not suited for you does not mean it will not be suited for everyone. Not many people like Stephen King's rawness, but maybe the next person does. There is no reason you should ban a book because you don't like it. Yes you have the decision to not read the book, but not the decision to not let everyone else read the book. Most books that are banned shouldn't have been banned, and that's why only a few have been taken off the banned reading list such as-Of Mice and Men and To Kill a Mockingbird. Every writer who writes a book like our writer Henry, who wrote the book with damn in it has the right to write that book and keep that book on the shelf. No writer should have to be guilty of writing a book that's been banned over stupid or immature reasons. I'm not saying that writers should protest to have their books to be put back on shelves, but I'm saying that they should have never come off the shelf at all. A book is a book. No one's ever made a huge deal over a bad movie, no ones ever made a big deal over the 'Internet Video's' that show stuff that should not be seen, no one has ever made a say in certain comic books, but they have the audacity to ban a perfectly good book that deserves it's seat on the shelves of libraries of the world?
Again.
"A story only lives if someone want's to listen."
And Little John want's to listen.
On Summer Reading Lists
INTRODUCTION
I
have always enjoyed reading, and I have always done it out of enjoyment. Most
teachers and parents have to force their children to read, but the issue has
never been a problem in my household. I go to Half-Price Books every week and
spend almost my whole 25 dollar allowance on it. I even write books, and I plan
to have a career as a writer one day. So reading isn't something I object to.
What I do object to, though, are Summer Reading lists.
For
years, long before I was even thought of, children and teens have had to read
something for summer as an effort to get children to read. Of course, it hasn't
helped much for the simple reason of Wikipedia and Google. Anyhow, each year, I
and everyone in my school has always been given the annual Summer Reading List.
At my old school-before I moved to Rockwall-we had three options each year. I
distinctly remember two options I chose in fifth and sixth grade: Hush by
Jacqueline Woodson and The Lightning Thief by Rick Riordan. I
vaguely remember Hush, and I had already read the entire Percy Jackson series
long before I was given the assignment to read it over the summer. But, what I
found degrading about Summer Reading Lists is the lack of choice or option.
Even here at my new school in Rockwall, the choices are limited and
uninteresting. There are maybe four choices which I will deem interesting: Ripper,
Cinder, Shadow and Bone, and Legend. The others are far from
interesting, and most of them are coming of age stories that are boring and too
homey in my opinion.
I
was unable to get Cinder because it actually sounded
interesting, and I had been wanting to read it for a while--what boy doesn't
want to read about cyborgs?-and Ripper I also wanted to read,
but I am wary now because I am so intent on reading Cinder. Also,
for all of you about to comment on how I can just check them out from a
library, well I hate libraries. I hate them with a passion. I have no problems
with used books, but I have never been well accustomed to libraries, I p to buy
the book if I want to keep in my collection, also I have so many books that I
have yet to get to, but I will soon-if I were to check them out from a library,
I would be limited to when I could get it since someone might have checked it
out. Also, these books we have to annotate, and you can't write in library
books or you get fined, as you know.
Anyhow,
that's one of the big things about Reading Lists. They give you so little
options, and such obscure options, that you will either never find the book, or
never get the book. Also there is a lack of relative novels on Reading Lists. To
Kill a Mockingbird has been a song sung to many times for the past few
generations, and I'm getting sick of hearing about it. I want to read the
classics, I do, but some classics I have little interest in and when I learned
that I would have to read TKAM in 9th Grade, I wept on my keyboard. For once, I
might actually be unenthusiastic about reading a book, and I have never been
unenthusiastic about going to another place and another time. But, it's just
the overuse of classics that are no longer relevant that makes me weep.
This
brings me to my current predicament. I always thought that Summer Reading would
be easy for me because I read all the time, and I could blow through a book
nice and fast if I want to get to more interesting ones. But, the fact that I
have to choose from a list angers me. Too many books and too little time. If I
could choose my own books for Summer, then I might get an A++(literally!). Not
to say I don't get A's every year when I turn it in.
Currently
I am reading some books that are bigger than some of my classmates have ever
since, some have even asked me am I reading the Bible because the books were so
enormous. And a lot of these Biblical sized books are way better
than these boring ol' books on the short, un-optional reading lists. In my last
post, I told you all I was taking on the epic novel Dhalgren which
is probably going to be the greatest reading challenge I ever face. How come I
can't annotate and read that for summer? Hmm? I will admit,
it's not a book you should read in school—with F*ck, n*pple, and sexy
descriptions within the first few pages—it's still a literary landmark, a
masterpiece I've been told. I think that's a good enough reason to read it!
Schools censor too much, and so do parents. Thankfully my parents don't care
what I read, and I think because of this, it has made ma better person. I know
what I want to read, and what I shouldn't read. Such as erotica. I hate erotica
and I will never read it. Even Stephen King's very descriptive books--namely 11/22/63--that
have sex in them aren't as bad as erotic fiction, in fact he keeps his scenes
very short and to the point. There are a lot of parents who aren't like me, but
there are still a lot who are.
So,
to counter this, I have come up with this:
THE LIBERATED SUMMER
READING LIST PROGRAM
GUIDELINES
GUIDELINES
- The book must be at
least 120 pages unless it is one of the
following classics:
Frankenstein by Mary Shelly, Unabridged Dover Thrift Edition 160p.
Notes from the Underground by Fyodor Dostoyevsky, Unabridged Dover Thrift Edition, 91p.
The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Lewis Stevenson, Dover Thrift Edition 64p.
*Those are three I can think of, but you get the point. - Books must be chapter books or novellas
(i.e. Anthem by Ayn Rand, Fahrenheit 451 by
Ray Bradbury, The Adventures of Tom Sawyer by Mark Twain, and At the Mountains of Madness by
H.P. Lovecraft) and it must contain the original text
without changes.
*The reason for this is because of the recent change in The Adventures of Huckleberry Finn by changing the 'n' word to robots and other nonsense like such. - Books containing explicit materials
(i.e. sex, swearing, and other such things) are allowed, but limited only
to the parents’ judgment of the book.
- All fiction except Erotica for
anyone not in High School is not accepted.
- If students choose to read a
book containing explicit material, and the parents chooses not to allow
them to read this, parents must write their own review
of the book for the teacher's judgment to possibly ban
the book from the Liberated Reading List.
- Picture books (i.e. Diary
of a Wimpy Kid and Dork Diaries) are not accepted for
anyone in Secondary School.
- Secondary School students must
follow bullet point #1, Primary School Students are allowed to read
anything that is at least 60 pages long with pictures.
- Audiobooks are not allowed
either.
- If students decide to read
Poetry books (i.e. Edgar Allen Poe, Ellen Hopkins, Shel Silverstein) they must annotate
and break down each poem, or depending on the number of poems within a
book, they must at least annotate 15 of the poems in the book. That said,
the book must contain at least 15 pieces of poetry unless it is one
contentious poem.
- With the annotation of poetry
books, other books must also be annotated. Special cases spoken upon in
the next bullet point.
- If Students decide to read an Epic
(i.e. The Stand, A Game of Thrones, Inheritance, Lord of the
Rings, any book over 800 pages) they have two options for
annotation.
- Students may buy a Spark notes
edition of the book (also covered in another bullet point) find the key points
in the book, and annotate those. Teachers will be equipped with
Sparknotes editions to determine if any information was copied from the
actual Sparknotes, as well as free reign to research Wikipedia and any
other sources of cheating. While annotating key points, Students who
choose this method will have to write 1 page summaries of each key event,
as well as connecting them to the main story arch.
- If Students do not choose
method one, they may annotate at least 250 pages of the book as well as adding
2 extra pages to their synopsis of the book due at the beginning of the
school year.
- Biographies are allowed, but
not other forms of Nonfiction books in which there is only informational
purposes in the writing of the book. We are strongly encouraging students
to read fiction books over the summer and finding meaning in them.
- Short Story collections are
allowed, but students must annotate at least 4 stories in the short story
book, and the short stories in the book must be more than 1 page
long.
- If the book has a movie
adaptation, we do encourage students to watch the movie as well, and for
extra credit, we encourage them to write a report on the comparisons of
the two. We are also allowing for scripts to be annotated.
- Sources of cheating(i.e. Sparknotes,
*movies, Wikipedia, etc.) will cause for students to redo the project with
an assigned book deemed 'boring' and students will not get credit for
their Summer Reading. Teachers will be equipped with articles from across
the web, Wikipedia, and they will be armed with Sparknotes copies for
corresponding books.
- E-books are strongly
discouraged to enthuse for more physical books, as well as to get students
into bookstores to possibly find other books they may enjoy. E-books are
also harder to annotate, and no one wants to hand over their iPad!
- Book groups are encouraged, but
all students must annotate in their own way and do whatever project they
decide on by themselves.
- We encourage censored books! We
encourage students to read books that have been censored or banned if
possible! The Liberated Summer Reading List shuns almost no book!
- In the special case of a
student having written a book, other students
are allowed to read that book and annotated. The author of such book is
not allowed to annotate or write notes on their own book or provide excess
information to readers of their book.
- Manga and comic books are
excepted, but by a few limitations:
- If it is a manga, students
will have to note if it is a series Manga. If it is a series Manga,
students must read 1) If all of the series is out, or a greater number
than 20, students must read at least 10 books of manga and write about
their story and their art. 2) If is still being released, students
may choose to do more than one series and write 1-2 paragraph reports on
each book from the different Manga series'. For comic book readers, we
encourage you to read at least 30 and analyze and write
about them and their art.
*Allowing for students to read comic books and manga with certain limitations is probably better than restricting it sense, believe it or not parents who are reading this, some comic books to show very good values, and are just a good a medium as books. - Comic book/Manga readers must
also read one of three classics as well:
Frankenstein
Fahrenheit 451
The Great Gatsby - Students are allowed to read
more than one book over the summer, in some cases we encourage them to
read entire series' if possible!
- Though hardcover books are
nice, we would like them to stay nice by getting paperback books instead,
there are several reasons why you should get a paperback as well.
- Hardcovers are less expendable
or durable as Paperbacks.
- Hardcovers are much more
expensive than paperbacks(some are even 50 dollars)
- Paperback books come in many
more sizes, sizes that take up a lot less space than the one sized
hardcovers.
- Paperbacks are easier to
annotate as the pages are much more adjustable.
- Hardcovers are often special
editions, collectors editions, and limited edition, and they are also
only on shelves for a limited time, whereas paperbacks are seemingly
forever, and are once again, more expendable.
- Paperback paper is more so
made to be written on, over a hardcover book which is more so meant to be
read.
- It is easier to handle and
carry a paperback book because of their lightweight, their lack of a
cover jacket, and once more, their size.
- Students are asked not to share
one book, everyone should have their own individual book.
What is the purpose of
the Liberated Summer Reading List?
Every summer, students are asked to at least read one book from a
limited, and un-optional reading list. Students are asked to read classics, and
books that are quite frankly, boring. Though many will tell you how important
morals and themes of these books are, I will agree, at the same time, it is
time for a change in reading. Of Mice and
Men, Catcher in the Rye, To Kill A Mockingbird, and many other ‘classics’
are ancient, and no one relates to them as much as they once did. I wept the
first time I learned I would have to read To
Kill a Mockingbird after having seen the movie in Journalism class. Half of
the kids in the class were utterly bored, and few of us actually paid any
attention, and I am not afraid to say I, as a regular reader of books, did not
enjoy it. Ever sense then, I have not been looking forward to reading it. I
even traded it back in to Half-Price Books after only being able to read the
first few pages.
Summer Reading Lists are degrading and redundant. Many of the book on the list are not interesting, and many students would rather just read the Wikipedia page or watch the movie is there is one. Another problem with current Summer Readily Lists is the limitation to get what you want. Many of the books on these lists are in limited numbers at libraries and bookstores ad this causes for many students to begin their projects or reading late in summer, if at all. Many of these books also do not increase enthusiasm in reading, rather they shrink the want to read.
For many summers, I have always dreamt of being able to read my Stephen King books, George RR Martin books, or something by the masterful Ayn Rand, but because it was not on the reading list, I had to put my books aside in favor for the list book I would not finish for ages and ages to come, finding myself more and more reluctant to read it each time, and I dreaded the knowing thought of having to read the book. And all through my school years, I fear I will always have to face these dreadful lists created by the state and schools everywhere.
This is why I would propose the Liberated Summer Reading List, the only summer reading list where books are unlimited as long as they follow the given guidelines. Finally I would be able to do reports and read King, Tolkien, and Delany. I would finally be able to actually enjoy reading for school again. I feel that censoring, banning, and limiting what students are allowed to read kills their want to read. You can sprinkle the four or five enjoyable books on the list—I’ll try not to sound biased about this since opinion is a matter of who you are—that are actually enjoyable such as Cinder, Insigna, Legend or another mainstream book, but even that is not enough. It’s too limited. Sure, I understand that you might be trying to open us up to other authors, but I feel like that is up to the reader to decide whether or not they like an author or want to try an author.
I write books myself, and I am working on four right now—one is the sequel to a book I published recently, the others are totally new books—and I have a sympathetic side to reading and authors as well as a passionate side. That being said, I believe freedom of the reader is the most important thing for summer reading or reading at all. Too often parents and schools tryand censor books, limit children to ‘oh this is okay’ and ‘oh no, I don’t want my poor baby Danny to be corrupt by the awesome power of the word damn!’
Those are the kinds of people I hate. So what if a book has a swear word in it, or if the tones are dark. Who whoopdy-doo! That’s life in fiction! J.R.R. Tolkien wrote a beautiful world where good and evil battle it out, and he does it in a strangely dark way, yet it’s understandable and sure a little child might not understand it as well as Harry Potter, but it’s the same message all the same. Too many people concentrate on how the story is told, and what’s in the story, and not the story itself. It’s like how we decide on a book based on its cover. I’m sure that if you stripped the cover of every book out there—or better yet, if you saw a book in its manuscript form, before you get the nice fancy fonts and the gorgeous cover, half the people who read some of the best books today would have never picked them up. I have learned something from researching publishing and publishers for a long time. The only way a book gets published if by its story and how it’s written. If the book is well enough, then it will be published. If a book is bad, it gets rejected for a reason.
I believe that’s how you should judge what is right for your child, only in such a way that goes beyond just the exterior words, but actually the interior story. Stop being sensitive and start thickening your skin. Stephen King and George RR Martin are thick skinned authors: Martin slaughters characters without remorse; King gives it to you how it is. And they have been deemed masters for it. Why? Because people don’t care what the words on the page are they care about what they words say.
The Liberated Summer Reading List would add variety, spunk—yeah I just said spunk—and fun to summer and summer reading. It would be the answer to get kids reading again, by letting them choose what they want to read. I wish I could read and analyze Dhalgren for my Summer Reading, because it’s a challenge and I like challenges. I wish everyone could be able to analyze something they enjoy. There are too many books out there that want to be read by reluctant readers and readers alike, but they are past up too many times by either parents of kids who say, ‘Mom, can we get this one?’ and at one glass at the strange and miraculous cover of the kraken swallowing up a whole ship of men, the mother shakes her head, and the kid goes home with some wimpy book about a boy whose afraid to tell his mom he’s gay, or something like that. Not to say that book wouldn't be interesting, but that depends on the writing and a lot of other things.
The point is, liberate reading, liberate summer reading, and liberate all the books that have been cast into the Crags of Banned Bookdom. That’s what the Liberated Summer Reading List is.
Summer Reading Lists are degrading and redundant. Many of the book on the list are not interesting, and many students would rather just read the Wikipedia page or watch the movie is there is one. Another problem with current Summer Readily Lists is the limitation to get what you want. Many of the books on these lists are in limited numbers at libraries and bookstores ad this causes for many students to begin their projects or reading late in summer, if at all. Many of these books also do not increase enthusiasm in reading, rather they shrink the want to read.
For many summers, I have always dreamt of being able to read my Stephen King books, George RR Martin books, or something by the masterful Ayn Rand, but because it was not on the reading list, I had to put my books aside in favor for the list book I would not finish for ages and ages to come, finding myself more and more reluctant to read it each time, and I dreaded the knowing thought of having to read the book. And all through my school years, I fear I will always have to face these dreadful lists created by the state and schools everywhere.
This is why I would propose the Liberated Summer Reading List, the only summer reading list where books are unlimited as long as they follow the given guidelines. Finally I would be able to do reports and read King, Tolkien, and Delany. I would finally be able to actually enjoy reading for school again. I feel that censoring, banning, and limiting what students are allowed to read kills their want to read. You can sprinkle the four or five enjoyable books on the list—I’ll try not to sound biased about this since opinion is a matter of who you are—that are actually enjoyable such as Cinder, Insigna, Legend or another mainstream book, but even that is not enough. It’s too limited. Sure, I understand that you might be trying to open us up to other authors, but I feel like that is up to the reader to decide whether or not they like an author or want to try an author.
I write books myself, and I am working on four right now—one is the sequel to a book I published recently, the others are totally new books—and I have a sympathetic side to reading and authors as well as a passionate side. That being said, I believe freedom of the reader is the most important thing for summer reading or reading at all. Too often parents and schools tryand censor books, limit children to ‘oh this is okay’ and ‘oh no, I don’t want my poor baby Danny to be corrupt by the awesome power of the word damn!’
Those are the kinds of people I hate. So what if a book has a swear word in it, or if the tones are dark. Who whoopdy-doo! That’s life in fiction! J.R.R. Tolkien wrote a beautiful world where good and evil battle it out, and he does it in a strangely dark way, yet it’s understandable and sure a little child might not understand it as well as Harry Potter, but it’s the same message all the same. Too many people concentrate on how the story is told, and what’s in the story, and not the story itself. It’s like how we decide on a book based on its cover. I’m sure that if you stripped the cover of every book out there—or better yet, if you saw a book in its manuscript form, before you get the nice fancy fonts and the gorgeous cover, half the people who read some of the best books today would have never picked them up. I have learned something from researching publishing and publishers for a long time. The only way a book gets published if by its story and how it’s written. If the book is well enough, then it will be published. If a book is bad, it gets rejected for a reason.
I believe that’s how you should judge what is right for your child, only in such a way that goes beyond just the exterior words, but actually the interior story. Stop being sensitive and start thickening your skin. Stephen King and George RR Martin are thick skinned authors: Martin slaughters characters without remorse; King gives it to you how it is. And they have been deemed masters for it. Why? Because people don’t care what the words on the page are they care about what they words say.
The Liberated Summer Reading List would add variety, spunk—yeah I just said spunk—and fun to summer and summer reading. It would be the answer to get kids reading again, by letting them choose what they want to read. I wish I could read and analyze Dhalgren for my Summer Reading, because it’s a challenge and I like challenges. I wish everyone could be able to analyze something they enjoy. There are too many books out there that want to be read by reluctant readers and readers alike, but they are past up too many times by either parents of kids who say, ‘Mom, can we get this one?’ and at one glass at the strange and miraculous cover of the kraken swallowing up a whole ship of men, the mother shakes her head, and the kid goes home with some wimpy book about a boy whose afraid to tell his mom he’s gay, or something like that. Not to say that book wouldn't be interesting, but that depends on the writing and a lot of other things.
The point is, liberate reading, liberate summer reading, and liberate all the books that have been cast into the Crags of Banned Bookdom. That’s what the Liberated Summer Reading List is.
Dhalgren: So it Begins
So, you may have already inferred from the title of this post, but it's going to be about Samuel R. Delany's Dhalgren, supposedly one of the more complicated books to read. Which is precisely why I have decided to read it. I have just gotten past the first scene of Chapter 1, and I am now on scene 2(if you don't know what I mean, think about a Stephen King book where he pits the numbers for the scene breaks). I understand it at least 95% so far, but that was the with the aid of me writing notes and breaking things down, even elaborating on certain things. Yes, it is a little confusing, but the average reader could probably consume it with the same kind of aid I am giving myself. What's confusing about Dhalgren is just the poetic sense that is is written in, and the way that Delany describes things almost deliberately confusingly. This one line is strange by itself: "Beyond a leafy arras, reflected moonlight flittered". I had to reread that line a few times to understand it. Also, if you do not know what an arras is, then you really shouldn't be reading this book in the first place.
Anyhow, Delany just describes things in a less common sense, also in some ways, more descriptive than most writers-and trust me, i am one of those descriptive writers, just you wait until I publish this book I'm writing now...
Delany also makes this book a little confusing to read-or at least the first few pages-because the first few pages are just a really long but interesting poem, believe it or not.And to make things even more intriguing, the first line is the last line. Grammar Nazis beware of this book, for the first word is not capitalized, but after examining the book and reading the last line-as I so often do-I learned that the first line of this book was just the continuation of the last, which brings me to question whether or not this book is just a paradox of itself, bring itself in a circle round and round. Some people have said that this book is a riddle never meant to be solved, and maybe it is. Or maybe it is more simple than any one person could ever imagine.
We'll just have to see!
In the next post, I rant about something that has to do with this very topic(kind of)
'Fans of the Hunger Games will love this!'
Okay, look. I am going to be to the point with this blog because I'm watching Smallville right now. Anyhow, every now and then I flip through the pages of a book still waiting to be read, and always I read through the reviews for the book--because they take up at least 4 pages of the actual book, if not 6 in some, if its a series. I happened to have George RR Martins A Song of Fire and Ice Series here on my desk, all up to be 4(I have yet to buy 5, but plan to). So I picked up A Feast for Crows because it's just there, and I covered this another blog, about how I'm a book sniffer and whathaveyou, but I digress. So I flipped to the reviews page, and constantly--every single page--at least 2 reviews talked about how much George RR Martins work reminded them of T.H. Whites Once and Future King, or J. R.R. Tolkien's The Lord of the Rings, and it's even gotten to the point where they've started talking about Harry Potter.
This has officially become tiring. Martin is a fantastic author, and there is no doubt about that. I once thought that he was terrible, I hated the show because of the hype that surrounds everything in our day and time, but I always think that for anything I have never seen, read, or tried-I hated The Hunger Games once too-but I finally decided to try it out, and you already know my experience with A Game of Thrones, and I have bought almost all the books in the series. But what frustrates me now is how every time his books come out, ever friggin' reviewer out there reference another Fantasy book or series.
The reason it frustrates me is because they're acting like very other series out there is no match for Martin, and they're acting like his books are the greatest thing since sliced bread. Its annoying for the reason because they're belittling every author who came before him. Look, Tolkien had his world which was brighter, and purely Fantasy at its heart. Tolkien had dragons, elves, dwarves, and hobbits--that was his realm, that was his world. Rowling create Harry Potter for children, and that one was solely about wizardry and magic, and had all the charm of any other Fantasy. The same goes for every other writer in any other genre. On nearly every dystopian book to date, ever sense the mega success of the Hunger Games, a dystopian novel cannot be what it is without being compared to Collins' work. Veronica Roth's Divergent is nothing like The Hunger Games, there isn't any real likeness in it actually, not even the dystopian worlds they created are the same. Starters was a book that I didn't even dare to read because they compared it, and I didn't like the writing of the first page. Blood Red Road was good, but it was no Hunger Games. And then there was that endless Battle Royale and TMG war that still wages on today.
Back on the topic of Martin's work, I hate how they keep calling him the American Tolkien. Maybe he is, but the thing is, Tolkien and Martin's world are two totally different entities. Yes, Martin's work is a little bit more grown up than Tolkien's as it's pages are littered with whores, swearing, sex, and blood whereas Tolkien's are filled with histories, mystical lands, and fantasy in one of its purist forms. The only thing that really makes Martin's world 'fantasy' is because of the hints of Magic, Dragons, and the world that is is built in. If it did not have those things, it would be a Medival Fiction book, and a good one at that. Martin shouldn't be compared to Rowling either because she created a world or children, and one that people love. Sure adults read Harry Potter, but they are in every sense children's books. Tolkien's world was born from a children's book that his publisher requested he continue in another volume. Jurgen is a book that I have never read, but Martin has also been compared to James Branch Cabell, plus Jurgen deals wit a time traveler, so it isn't just fantasy anymore.
Martin has created a name for himself, and his name shouldn't be compared with the other great names of fiction such as King, Tolkien, Cabell, Eddison, Rowling, and all the other great writers of our generation. Rather his work should be listed and cherished instead of having to be a battle ax for the big name critics and holly to kill all the others with. It sickens me to know that no one can just appreciate a book any more, rather they have to compare it to another. Every book has its charm, and every book shines in its own way-even my first book The Maze Games, terribly plotted as it may be, it is still mine and I believe it shines in its own way, and someone will come along who likes it as much as I did when I wrote it.
Let us not spoil books by using them to throw at each other like the ancients and kindergartners throw rocks at each other, rather, let us read them, love them, and leave them be. It is like if there is a parallel universe, it does not intersect ours, and that is what a book is-a parallel universe reflecting our own. And because of this, every universe within a book shouldn't intersect with another.
This has officially become tiring. Martin is a fantastic author, and there is no doubt about that. I once thought that he was terrible, I hated the show because of the hype that surrounds everything in our day and time, but I always think that for anything I have never seen, read, or tried-I hated The Hunger Games once too-but I finally decided to try it out, and you already know my experience with A Game of Thrones, and I have bought almost all the books in the series. But what frustrates me now is how every time his books come out, ever friggin' reviewer out there reference another Fantasy book or series.
The reason it frustrates me is because they're acting like very other series out there is no match for Martin, and they're acting like his books are the greatest thing since sliced bread. Its annoying for the reason because they're belittling every author who came before him. Look, Tolkien had his world which was brighter, and purely Fantasy at its heart. Tolkien had dragons, elves, dwarves, and hobbits--that was his realm, that was his world. Rowling create Harry Potter for children, and that one was solely about wizardry and magic, and had all the charm of any other Fantasy. The same goes for every other writer in any other genre. On nearly every dystopian book to date, ever sense the mega success of the Hunger Games, a dystopian novel cannot be what it is without being compared to Collins' work. Veronica Roth's Divergent is nothing like The Hunger Games, there isn't any real likeness in it actually, not even the dystopian worlds they created are the same. Starters was a book that I didn't even dare to read because they compared it, and I didn't like the writing of the first page. Blood Red Road was good, but it was no Hunger Games. And then there was that endless Battle Royale and TMG war that still wages on today.
Back on the topic of Martin's work, I hate how they keep calling him the American Tolkien. Maybe he is, but the thing is, Tolkien and Martin's world are two totally different entities. Yes, Martin's work is a little bit more grown up than Tolkien's as it's pages are littered with whores, swearing, sex, and blood whereas Tolkien's are filled with histories, mystical lands, and fantasy in one of its purist forms. The only thing that really makes Martin's world 'fantasy' is because of the hints of Magic, Dragons, and the world that is is built in. If it did not have those things, it would be a Medival Fiction book, and a good one at that. Martin shouldn't be compared to Rowling either because she created a world or children, and one that people love. Sure adults read Harry Potter, but they are in every sense children's books. Tolkien's world was born from a children's book that his publisher requested he continue in another volume. Jurgen is a book that I have never read, but Martin has also been compared to James Branch Cabell, plus Jurgen deals wit a time traveler, so it isn't just fantasy anymore.
Martin has created a name for himself, and his name shouldn't be compared with the other great names of fiction such as King, Tolkien, Cabell, Eddison, Rowling, and all the other great writers of our generation. Rather his work should be listed and cherished instead of having to be a battle ax for the big name critics and holly to kill all the others with. It sickens me to know that no one can just appreciate a book any more, rather they have to compare it to another. Every book has its charm, and every book shines in its own way-even my first book The Maze Games, terribly plotted as it may be, it is still mine and I believe it shines in its own way, and someone will come along who likes it as much as I did when I wrote it.
Let us not spoil books by using them to throw at each other like the ancients and kindergartners throw rocks at each other, rather, let us read them, love them, and leave them be. It is like if there is a parallel universe, it does not intersect ours, and that is what a book is-a parallel universe reflecting our own. And because of this, every universe within a book shouldn't intersect with another.
Tuesday, June 11, 2013
Me, Myself, and I
No, this is not a blog asking my parents to go outside, nor is it just me blatantly stating that I want to do what the title says. No, this is me saying that I want to have an outdoorsy summer this year, the problem is I don't see that happening. I would love to go outdoors, do something that my parents are pretty much begging me to do, rather than sitting indoors all day on the computer, or reduced to tears of boredom--it has happened before. But there are a lot of factors that hurt me going outside, I will list and elaborate on them:
- I have asthma; during the summer its hot, pollinated, and my lungs can't take too much of that, especially on the best days when the sun is out, and the wind is blowing a soft breath through the neighborhood. You don't even know the half of it.
- I have 0 friends to hang out with. My next door neighbor, who was my friend for 4 months, doesn't want to be my friend anymore, the kid at the end of the street probably doesn't want to hang out, plus we have nothing in common. The guy who lives a block away never wants to come out. The rest of my friends are scattered across the state, one of them all the way in Dallas, while I sit at home in Rockwall; one of them lives far from me, so that's out of the questions.
- You can't have fun unless you have money, and I only get a $25 allowance which gets me to a few stores, and then back home. Also, can I note that 90% of all the places around my house consist of either food our clothing? So, there's not very much choice for me to do anything other than shop for overpriced food and clothes.
- No one is ever outside. It's true that we have fallen ill to the plague of technology and the Idiot Box. I like a little TV as much as the next guy, but if I'm not lying in bed, it's off. And I'm not a big gamer. I get maybe, 2 kills every time I plan Black Ops or something, annually that is. The computer becomes quite a bore as well, since I mainly cycle through about 5 websites over and over again, mainly Google and YouTube.
- Writing, though I love the noble art with all my life, becomes a bore itself as well. Writing, as you can imagine, is a very independent sport and when you spend most of you waking hours at home alone, well, it can become more than independent--it becomes depressing.
So, as you can see, I have my reasons for not really going anywhere. My parents tell me that I need to get used to doing things alone, but then they kind of contradict themselves by saying enjoy your childhood. When I hear that, I think about friends, smiles, pools, and things of that nature, not just video games as I think they imagine. Also, they tell me that I don't need friends, but if you don't have any brothers or sisters, freinds, and you spend nearly 100% of your day alone, yeah I think that you need friends to have fun. So far, my summer has consisted of the things listed above, and sometimes me talking to myself or acting out scenes...alone. Yep, just me, myself, and I.
Sunday, June 9, 2013
The Game of Thrones Theme and the Love of Music
This is just a quick post to say how madly in love I am with the epic 1:42 main theme for Game of Thrones! I mean, it's just so--gah! You have to listen to it, it just sets the mood for everything-writing, reading, dancing emotionally, waking up from a long nap, taking a dump. Here listen to the original, then one on the violin, then one on the piano:
http://www.youtube.com/watch?v=1yydcG9woWA- Violin
http://www.youtube.com/watch?v=s7L2PVdrb_8- Original
http://www.youtube.com/watch?v=X6a9odk6b_c- Piano #1
http://www.youtube.com/watch?v=1kBWtd4lujk- Piano #2
http://www.youtube.com/watch?v=33Zzilrdx5k- Acoustic Guitar
Now, tell me that You didn't just fall in love with that them! Yeah, this makes watching and reading Game of Thrones a whole bunch more fun. It's going to be a immortal theme like the classic Star Wars:
http://www.youtube.com/watch?v=EjMNNpIksaI
Or the Spiderman:
http://www.youtube.com/watch?v=0Ac4xamCIgY
Or even Superman!
http://www.youtube.com/watch?v=e9vrfEoc8_g
Ah, you gotta love music.
http://www.youtube.com/watch?v=1yydcG9woWA- Violin
http://www.youtube.com/watch?v=s7L2PVdrb_8- Original
http://www.youtube.com/watch?v=X6a9odk6b_c- Piano #1
http://www.youtube.com/watch?v=1kBWtd4lujk- Piano #2
http://www.youtube.com/watch?v=33Zzilrdx5k- Acoustic Guitar
Now, tell me that You didn't just fall in love with that them! Yeah, this makes watching and reading Game of Thrones a whole bunch more fun. It's going to be a immortal theme like the classic Star Wars:
http://www.youtube.com/watch?v=EjMNNpIksaI
Or the Spiderman:
http://www.youtube.com/watch?v=0Ac4xamCIgY
Or even Superman!
http://www.youtube.com/watch?v=e9vrfEoc8_g
Ah, you gotta love music.
The Pain of Bookstores
I'm not sure how many people actually walk into a bookstore these days, or at least a major one-not Wal-Mart, or anything small like that. For those who do--I do 99% of the time, unless I happen to find the pdf file online--have you ever noticed that you're the only one browsing for books? Just yesterday when I went to Barnes and Noble, I found that 80% of the customers were either in Starbucks, the comic book section, or the DVD section of the store. The other 20%, well it should be smaller than that, because I'm speaking a really small 20%, were either checking out cookbooks or some of the bargain books. nearly 0% of all those people were actually browsing the books. Hundreds upon hundreds of books, never before seen by the eyes of those customers. I think I may have looked pretty weird, too. Carrying around my laptop bag, setting it down at every isle I stopped upon and blocking the bottom level books, and checking out books in the adult section. I was also forced to be clustered with several people who didn't give two shits about reading, and were there to play around. There was a small group of about three boys in front of the shop when I came in. A few minutes later, they came bustling in laughing and running, completely ignoring the books.
I think that my parents might have approved of me doing that, since it seems that they are more apposed to me reading believe it or not. In fact, it took less than a week for my parents to pay the 300 dollars for my football gear and stuff, versus the summer it took them to pay for publishing my book. Is it just me, or do my parents care more about my football career than my life-long passion?
Anyhow, the fact that several of the customers who go to bookstores like that flock to the comic books and manga pains me, as an author of course. Knowing that, when my books become bestsellers--if that ever happens--or if they are at least on one of those stands in the front, people are just going to fly past them in favor of the next volume of Bleach or Death Note--not that I have a problem with the two, I actually read them both--is a little discouraging. I mean, I see multiple volumes of my favorite author's standing on the shelves literally collecting dust, and I'm not even kidding. I had to actually brush the dust off of several copies I picked up at the Half-Price Book store up the street from my home. What's even more baffling is the fact of how small the comic book section of Half-Price Books is! It's one bookcase, a very narrow one with the same amout of shelves as the regular books, yet they get probably the most attention out of all the books in that store.
Not to mention the moms who force their children to come to Half-Price books and pick out one--only to find later that there best efforts weren't enough. I mean, I'm one of those few who actually spend time browsing, or sampling, or just staring at the books because there are so many to choose from. I could tell you a billion synopsis', compare them, and elaborate on them from all the back-covers of books I've read, and many people could not.
But, I don't have as much doubt as I used to. Where I came from, in Lancaster, Texas-terrible place by the way-when I went to the book section of any store around there-excluding the comic book store by the movie theater, that ALWAYS had at lest four customers in it at once-I would probably be the only one to check it out. My freinds were also reluctant readers, I even have friends now here in Rockwall who seem to bcome sick from the sight of the books in my room. I dragged my friend to Half-Price Books right before it stormed, and he looked good-awful pale, and he seemed to be sickening with every minute more spent there.
What also seems to tear me apart are the workers who work at the bookstores. What strikes me as strange is that, readers seem to work at places they dislike-movie theaters, restaurants, and other places that they can't wait to get out of-and those who hate to read work at bookstores. The few workers who like to read are freaks with long hair and latitudinal stomachs that protrude through their shirts like when you were a kid and you stuck a basketball up your shirt.
The Pain of bookstores is that, whenever you see a girl who does read, you're too damn scared to ask her--or anyone for that matter--with the fear of coming off as strange. Also, humans don't interact as friendly-ly as they used to back in the 1900's when you could say, to that guy next to you who is holding the book you really like and say something about it and they wouldn't give you the quick smile, 'yea!' and then un-comfortableness that fills the air three seconds later. The Pain of Bookstores is that you seem to be the only savior to those poor books that have stood on the shelves for months, and moths, and years. The Pain of Bookstores is that is has become a playground for those who detest the sight of books. The Pain of Bookstores is that it becomes the shaming ground for nerds/geeks/weirdos-joshing about the last one-when some guy comes up smiling with is face all red, and his friend snicking behind him, and they ask you that damned question. 'That a good book?' and you respond, and they nod and go back to their friend and they burst out laughing.
Yeah, that's happened to me a lot.
So, now you understand my pain of bookstores. Hopefully.
I think that my parents might have approved of me doing that, since it seems that they are more apposed to me reading believe it or not. In fact, it took less than a week for my parents to pay the 300 dollars for my football gear and stuff, versus the summer it took them to pay for publishing my book. Is it just me, or do my parents care more about my football career than my life-long passion?
Anyhow, the fact that several of the customers who go to bookstores like that flock to the comic books and manga pains me, as an author of course. Knowing that, when my books become bestsellers--if that ever happens--or if they are at least on one of those stands in the front, people are just going to fly past them in favor of the next volume of Bleach or Death Note--not that I have a problem with the two, I actually read them both--is a little discouraging. I mean, I see multiple volumes of my favorite author's standing on the shelves literally collecting dust, and I'm not even kidding. I had to actually brush the dust off of several copies I picked up at the Half-Price Book store up the street from my home. What's even more baffling is the fact of how small the comic book section of Half-Price Books is! It's one bookcase, a very narrow one with the same amout of shelves as the regular books, yet they get probably the most attention out of all the books in that store.
Not to mention the moms who force their children to come to Half-Price books and pick out one--only to find later that there best efforts weren't enough. I mean, I'm one of those few who actually spend time browsing, or sampling, or just staring at the books because there are so many to choose from. I could tell you a billion synopsis', compare them, and elaborate on them from all the back-covers of books I've read, and many people could not.
But, I don't have as much doubt as I used to. Where I came from, in Lancaster, Texas-terrible place by the way-when I went to the book section of any store around there-excluding the comic book store by the movie theater, that ALWAYS had at lest four customers in it at once-I would probably be the only one to check it out. My freinds were also reluctant readers, I even have friends now here in Rockwall who seem to bcome sick from the sight of the books in my room. I dragged my friend to Half-Price Books right before it stormed, and he looked good-awful pale, and he seemed to be sickening with every minute more spent there.
What also seems to tear me apart are the workers who work at the bookstores. What strikes me as strange is that, readers seem to work at places they dislike-movie theaters, restaurants, and other places that they can't wait to get out of-and those who hate to read work at bookstores. The few workers who like to read are freaks with long hair and latitudinal stomachs that protrude through their shirts like when you were a kid and you stuck a basketball up your shirt.
The Pain of bookstores is that, whenever you see a girl who does read, you're too damn scared to ask her--or anyone for that matter--with the fear of coming off as strange. Also, humans don't interact as friendly-ly as they used to back in the 1900's when you could say, to that guy next to you who is holding the book you really like and say something about it and they wouldn't give you the quick smile, 'yea!' and then un-comfortableness that fills the air three seconds later. The Pain of Bookstores is that you seem to be the only savior to those poor books that have stood on the shelves for months, and moths, and years. The Pain of Bookstores is that is has become a playground for those who detest the sight of books. The Pain of Bookstores is that it becomes the shaming ground for nerds/geeks/weirdos-joshing about the last one-when some guy comes up smiling with is face all red, and his friend snicking behind him, and they ask you that damned question. 'That a good book?' and you respond, and they nod and go back to their friend and they burst out laughing.
Yeah, that's happened to me a lot.
So, now you understand my pain of bookstores. Hopefully.
Saturday, June 8, 2013
Starting to get really angry with bookstores...
Today, after many, many long weeks and months of waiting, I finally made my return to Barnes & Noble. Not because I don't like them, but because of the fact that we have to go all the way across the bridge from here in Rockwall, and to Sasche just to get there, and the first time we went we went to the wrong one. In fact, the first time, near Town East, we found that B&N wasn't even there anymore. So, we rode for what seemed like ages and finally got there. Once I got there, I rushed in with my laptop bag slapping my thigh, and hurried to find the Teen Fiction section. Since last year, I had been waiting to read Fear by Michael Grant because Light would be coming out. I had high hopes that I would finish Fear on time, and how wrong I was. When I arrived at the Teen Fiction section, I was crestfallen.
They didn't have Fear, or any of the other Gone books for that matter except Light and Gone. I don't know what it is with Bookstores and Michael Grant novels, but no one seems to have them. I don't understand why, when his books are extraordinarily popular, and they're so friggin' good. It really pisses me off to know that I have to order Fear from online, and be months behind on finishing the astonishing Gone series. It's not fun being the only one who hasn't read the finale, to know that even though you read most of the books in the series within a day, or less, yet you can't seem to get your hands on the fifth and sixth ones no matter how hard you try.
I tricked himself into thinking that maybe I had overlooked it, or maybe they had it on one of their little show off tables, and again, I was met with nothing but books I had either already read or didn't have the will to even think about. So I wandered, probably looking stupid as I circled around bookcase after bookcase, finding nothing. It seems that I have fallen out of love with YA fiction unless I had already started the series, I guess I just don't hold the capacity for it like I used to. Maybe it has something to do with my reading of Fantasy, Stephen King, and George R. R. Martin, and other adult writers that has me no longer wanting to read the books I used to love the most. It seems that it is true that you can fall out of love with something, and into love with another. It seems that my heart wanes from the meager 300 page books that live in the realm of Teen Fiction, and then it palpitates with joy at the sight of a hardy 1,000 pager.
So, after finding that Fear and I would never dance in the late hours of night, I wandered, aimlessly around the store, bumping into several people in the process, finding myself unable to keep my composure, wanting out, but knowing that I'd only just gotten there. I decided, then, that I would buy A Game of Thrones and start reading the Song of Ice and Fire series with passion. Now, beside me, are the first three books in the series, and I am on page 114 of it out of 807-no I don't count the Appendix as the actual book sense it is only an extension and a reference guide.
I walked around the little shopping mall area that was Firewheel, finding nothing to my liking since I care little about clothes and whatnot, and I didn't have the money nor the confidence to sit at a restaurant and eat. I'd look fatter than I am.
So, I later returned to B&N and walked around aimlessly some more, looked at some writing books, some of the B&N classics, checked the Teen Section again to see if Fear had miraculously appeared from the 7th dimension. It had not. Instead, I found myself at the Fantasy section again, and I nearly bought The Eye of the World, but I told myself that I'd buy it the next time, and I ended up buying A Storm of Swords, though this wasn't that bad because I had a nice little chat with the cashier who was currently on A Clash of Kings.
And thus, I am angered with bookstores. How dare you call yourself a book store when you are missing several books in the series, how dare you call yourself a bookstore when you don't even have the first edition paperbacks of A Clash of Kings, and only one TV Tie-In version, how dare you call yourself a book store where you can only buy one book unless you're a billionaire because all of your books are hideously overpriced, and some of them aren't even that good. It just goes to show that this is the reason a lot of older readers remember the time when you could go to the bookshop at the corner and buy a paperback for a buck fifty. Damn, I wish we lived in those times.
Also, can I say that having a B&N membership isn't even that very well worth it? You get a few cents off an item, instead of actual cash. I had to use a gift card I got a year ago and my membership to get the 9.00 A Storm of Swords for 6.49. Whereas, the membership would have only allowed me to get it for 8.81, and that's not very much a bargain.
Sometimes, as much as I detest them, I see why people prefer eBooks. You don't have to worry about the book you've been waiting so long and patiently to get not being there.
They didn't have Fear, or any of the other Gone books for that matter except Light and Gone. I don't know what it is with Bookstores and Michael Grant novels, but no one seems to have them. I don't understand why, when his books are extraordinarily popular, and they're so friggin' good. It really pisses me off to know that I have to order Fear from online, and be months behind on finishing the astonishing Gone series. It's not fun being the only one who hasn't read the finale, to know that even though you read most of the books in the series within a day, or less, yet you can't seem to get your hands on the fifth and sixth ones no matter how hard you try.
I tricked himself into thinking that maybe I had overlooked it, or maybe they had it on one of their little show off tables, and again, I was met with nothing but books I had either already read or didn't have the will to even think about. So I wandered, probably looking stupid as I circled around bookcase after bookcase, finding nothing. It seems that I have fallen out of love with YA fiction unless I had already started the series, I guess I just don't hold the capacity for it like I used to. Maybe it has something to do with my reading of Fantasy, Stephen King, and George R. R. Martin, and other adult writers that has me no longer wanting to read the books I used to love the most. It seems that it is true that you can fall out of love with something, and into love with another. It seems that my heart wanes from the meager 300 page books that live in the realm of Teen Fiction, and then it palpitates with joy at the sight of a hardy 1,000 pager.
So, after finding that Fear and I would never dance in the late hours of night, I wandered, aimlessly around the store, bumping into several people in the process, finding myself unable to keep my composure, wanting out, but knowing that I'd only just gotten there. I decided, then, that I would buy A Game of Thrones and start reading the Song of Ice and Fire series with passion. Now, beside me, are the first three books in the series, and I am on page 114 of it out of 807-no I don't count the Appendix as the actual book sense it is only an extension and a reference guide.
I walked around the little shopping mall area that was Firewheel, finding nothing to my liking since I care little about clothes and whatnot, and I didn't have the money nor the confidence to sit at a restaurant and eat. I'd look fatter than I am.
So, I later returned to B&N and walked around aimlessly some more, looked at some writing books, some of the B&N classics, checked the Teen Section again to see if Fear had miraculously appeared from the 7th dimension. It had not. Instead, I found myself at the Fantasy section again, and I nearly bought The Eye of the World, but I told myself that I'd buy it the next time, and I ended up buying A Storm of Swords, though this wasn't that bad because I had a nice little chat with the cashier who was currently on A Clash of Kings.
And thus, I am angered with bookstores. How dare you call yourself a book store when you are missing several books in the series, how dare you call yourself a bookstore when you don't even have the first edition paperbacks of A Clash of Kings, and only one TV Tie-In version, how dare you call yourself a book store where you can only buy one book unless you're a billionaire because all of your books are hideously overpriced, and some of them aren't even that good. It just goes to show that this is the reason a lot of older readers remember the time when you could go to the bookshop at the corner and buy a paperback for a buck fifty. Damn, I wish we lived in those times.
Also, can I say that having a B&N membership isn't even that very well worth it? You get a few cents off an item, instead of actual cash. I had to use a gift card I got a year ago and my membership to get the 9.00 A Storm of Swords for 6.49. Whereas, the membership would have only allowed me to get it for 8.81, and that's not very much a bargain.
Sometimes, as much as I detest them, I see why people prefer eBooks. You don't have to worry about the book you've been waiting so long and patiently to get not being there.
Friday, June 7, 2013
Raping Writing (This metaphor is not used lightly)
The two were never meant to be, alas their ankles are chained together, and they are trapped on an island in the middle of the universe. These two things are Writing and Life.
When you are a writer, there is a very fine picket fence between reality and what you write. Fiction writers spend hours, or an hour at least, a day in their fictitious world, pecking away at that keyboard, and beating the hell out of the computer who just asks for mercy. And I think that writing is a nice pay off to escape the world, other than reading of course. When you write, you get to make up all the rules, who lives and dies, what happens next, and what your characters story is. You can make unicorns burn down the world, or you can make robots attack London; you can make a long lost and dead relative rise from the dead and eat your mother, or you can have a boy trapped behind bars for a crime he didn't commit. You can have the bad guys win, or maybe you can finally speak your mind about the government without actually saying it blatantly to the government.
That is what makes writing so fun.
But then, there is this little thing called life which lives in a rundown apartment, and it's always raining. Life, you see, is a miserable little bitch who takes pleasure in making everyone who bangs her sad and suicidal. It seems, that the only way you can get out of banging her is if you write, or do something other than date her. Life is a cubical and one of those computes where it takes an hour to load that funny YouTube video your next-cubical-neighbor sent you. Life is accidentally bumping into some because your so deep and thought, and then with a bitter pinch of sarcasm they say 'Sorry, we don't watch out for other people'. Yeah, that last one actually happened to me as I was walking out of Half Price Books on a grey day.
The point is, Writing and Life are two very different creatures, and one is just a little bit more depressed than the other. Can you guess which one is depressed?
Writing of course! While Life gets to be the writer, Writing gets manipulated and mangled every which way with every book we authors write. In a way, this is a sorry letter to Writing for raping you so bad and then throwing you in the trash. But, that's what writers do. We work on these epic stories, and then we give up on them, and throw them in the garbage. Writing has it bad, even though it feels so good for us writers, the rapers who tear Writing apart.
But, sometimes you are not so sure which one you are doing, raping or being raped. And so, you must know the distinction between the two.
When you are Writing, and if you were meant to be a writer, nothing else in the whole F'n world matters. It's just know and those keys, or pen and paper, or whatever you use. It's all about those characters on that page, and it's all about the world that you have set out as their stage. It's all about finishing your 2,000 word quota, it's all about digging down deep and letting out all the things you have been holding in, and putting that shit down on paper. Its about writing, and nothing else.
If you were meant to be a writer, then you fell this thrill, this adrenaline that runs through you. You also get the Miseribles, and you sometimes get tired of hitting the poor girl named Writing again, and again, and again. You get tired of seeing her moan on the cold hard ground before you, with her messed up hair in the rain.
The main thing that you need to know when you're writing is that, literally nothing matters, as I have said before. Your friends don't matter, your mom doesn't matter, your frigging' job doesn't matter. If it did, you wouldn't writing. What matters is if Cindy is rescued or not, or if Frodo destroys the ring, or if Dumbledore nearly dies or not. It's all about that story, and this will become very redundant, but it needs to be wired into your brain like it's wired in your brain to go to the bathroom and take a nice, long green dump, or what drives you to eat till your belt snaps in half.
That's writing buddy, that's writing.
And here's how you know if your really getting down into Writing: If you do it out of habit, if you go a day without doing it, then you might just die. It's your drug. It's the reason you breathe air, it's the reason why you shuffle on the subway everyday and deal with that guy coughing right into your face-god that's disgusting-but you know what I'm talking about. It's why you wake up in the middle of the night, and burn your damn eyes out with that scintillating white light that is Microsoft Word.
When you are a writer, there is a very fine picket fence between reality and what you write. Fiction writers spend hours, or an hour at least, a day in their fictitious world, pecking away at that keyboard, and beating the hell out of the computer who just asks for mercy. And I think that writing is a nice pay off to escape the world, other than reading of course. When you write, you get to make up all the rules, who lives and dies, what happens next, and what your characters story is. You can make unicorns burn down the world, or you can make robots attack London; you can make a long lost and dead relative rise from the dead and eat your mother, or you can have a boy trapped behind bars for a crime he didn't commit. You can have the bad guys win, or maybe you can finally speak your mind about the government without actually saying it blatantly to the government.
That is what makes writing so fun.
But then, there is this little thing called life which lives in a rundown apartment, and it's always raining. Life, you see, is a miserable little bitch who takes pleasure in making everyone who bangs her sad and suicidal. It seems, that the only way you can get out of banging her is if you write, or do something other than date her. Life is a cubical and one of those computes where it takes an hour to load that funny YouTube video your next-cubical-neighbor sent you. Life is accidentally bumping into some because your so deep and thought, and then with a bitter pinch of sarcasm they say 'Sorry, we don't watch out for other people'. Yeah, that last one actually happened to me as I was walking out of Half Price Books on a grey day.
The point is, Writing and Life are two very different creatures, and one is just a little bit more depressed than the other. Can you guess which one is depressed?
Writing of course! While Life gets to be the writer, Writing gets manipulated and mangled every which way with every book we authors write. In a way, this is a sorry letter to Writing for raping you so bad and then throwing you in the trash. But, that's what writers do. We work on these epic stories, and then we give up on them, and throw them in the garbage. Writing has it bad, even though it feels so good for us writers, the rapers who tear Writing apart.
But, sometimes you are not so sure which one you are doing, raping or being raped. And so, you must know the distinction between the two.
When you are Writing, and if you were meant to be a writer, nothing else in the whole F'n world matters. It's just know and those keys, or pen and paper, or whatever you use. It's all about those characters on that page, and it's all about the world that you have set out as their stage. It's all about finishing your 2,000 word quota, it's all about digging down deep and letting out all the things you have been holding in, and putting that shit down on paper. Its about writing, and nothing else.
If you were meant to be a writer, then you fell this thrill, this adrenaline that runs through you. You also get the Miseribles, and you sometimes get tired of hitting the poor girl named Writing again, and again, and again. You get tired of seeing her moan on the cold hard ground before you, with her messed up hair in the rain.
The main thing that you need to know when you're writing is that, literally nothing matters, as I have said before. Your friends don't matter, your mom doesn't matter, your frigging' job doesn't matter. If it did, you wouldn't writing. What matters is if Cindy is rescued or not, or if Frodo destroys the ring, or if Dumbledore nearly dies or not. It's all about that story, and this will become very redundant, but it needs to be wired into your brain like it's wired in your brain to go to the bathroom and take a nice, long green dump, or what drives you to eat till your belt snaps in half.
That's writing buddy, that's writing.
And here's how you know if your really getting down into Writing: If you do it out of habit, if you go a day without doing it, then you might just die. It's your drug. It's the reason you breathe air, it's the reason why you shuffle on the subway everyday and deal with that guy coughing right into your face-god that's disgusting-but you know what I'm talking about. It's why you wake up in the middle of the night, and burn your damn eyes out with that scintillating white light that is Microsoft Word.
And now, when you are being raped by Life
The thing to know about Life is that, it's going to rape you. And it's going to do it hard, in the butt. It's going to tear you apart, and make sure you beg for mercy, make sure that you have a noose and a chair to kick over when you get home, holding your ass like you just fell on it down twenty flights of stairs.
Life is going to beat you down, and life is going to interrupt you from surviving by writing. It's that phone call you get and you get distracted into talking to that chick or bro for one and two hours, and then you close the Word to watch something stupid on TV, or to play Dead Island. It's when you stare at your computer screen and cringe, and it's when you spend time writing a blog when you should be writing that sequel that you've been working on since Christmas.
Life is a lot of things, but it's not writing. And by this point, it think you get the picture of when you are getting raped, and raping.
*Sorry for the metaphor, but it's the only way I could explain this without sounding silly.
Something about Writing
Okay, so even though I've only just begun A Game of Thrones, I tend to over-fascinate myself with the author, their works, and anything related to them. For some reason, the writing part of my mind seems to feed off of this information in order for me to continue reading the book without doing much else except reading it. Anyhow, I have recently been reading on about George R.R. Martin. The only thing that I just can't seem to find about him is why he writes his books so incredibly slow. Now, before anyone pulls out their shotgun, I'm not bashing Martin, I just want to know whats the hold up. Even with me only being on the first book in the series, I can understand why some people would be angry, especially with a series. I can infer than most of the people who read Martins A Song of Ice and Fire series were once YA or Adult Fiction readers. With those types of novels, and in most cases, series, you would get the book at least a year later. There are very special, and rare cases where the book was out two years later. One of the most recent cases of this would be with Cassandra Clare who is making fans wait unil 2014 for the conclusion of her best selling Mortal Instruments series. The fifth book-City of Lost Souls-was released in 2012. Most fans complain that they will have outgrown the series by that time, especially since CoLS was released early in 2012, so that's an almost 3 year wait. So, if these fans of ASoIaF were YA or Adult fiction readers at one point, they are not accustomed to having to wait 5 and 6 years for the next installment of a series.
Martin is, unfortunately, like many other adult authors who can afford this. Stephen King can write 1,000 page novels, but he of course, takes 5 years max on each one-The Stand and It; Under the Dome took him a stunning 2 years to write, from 2007 to 2009-but the thing is, they aren't in a series, so he doesn't have to be pestered by fans who want him to write the books faster-I feel very sad for Martin who is probably complained to about this daily. On Martin's Wikipedia page, it is said that he writes everyday, starting where he left off each time without editing. This has been proven to be fiction since it is known that Martin takes a sort of holiday during Football season since he takes NFL very seriously. He also runs a blog, and he has the HBO show to work on, and not the mention that he's human.
I know many fans have heard this before, but Martin can't spend his every waking hour on the books. If he did this, I'm sure he'd commit suicide. The thing that I have learned as an author is that, several things happen when your writing, especially sequels. One of them is that, you are at a loss for what should happen next, or you even become bored of your characters-maybe that is one of the reasons why third person narrative works so well; in third person, you have a bazillion characters to lean on if you get bored with one-also, you have to remember that Martin has told us that he had nothing written down. So in some ways, he's writing these books off the top of his head, and he seems to not have any major plot points, or even minor ones, to look over and say 'Oh, yeah, that would be good to add here right now' to move it along a little faster. Don't get me wrong, I keep very minimal notes as well. One of the books I'm writing called Hero has a few notes that I wrote down, nothing like plot points, but stuff that I needed to know and remember to make sure I got there.
One of the benefits, I have found, of writing down notes for things that you one to happen is that you can rely on them to guide the story. You can write up to that point, and your novel will move smoothly. It seems to work that way for many television shows. They will build up and up to this big climax every other episode, and you find that the show ran quickly.
Martin, from what I have gathered, seems to spend a lot of time on extra, unnecessary details. Maybe he isn't as bad as some authors who describe every article of clothing, and every movement of the characters wrist, but he must be pretty big on details to take up 900 and 1,000 page novels, I mean all of it can't be plot, some of it has to be setting and description, and inner thoughts of characters.
This makes me think about something that I notice in YA fiction, as well. In YA fiction, the books are pretty short compared to a lot of adult novels. In YA fiction, description is kept at a one sentence to one paragraph(and I mean the five liner ones, not the epic Stephen King paragraphs)descriptions, and they spend no time elaborating very greatly on the characters clothes in these settings. In YA, they are pretty much forced to move the story along quickly in order to keep the readers attention. In some ways, YA is a show of how short of an attention span we humans have for literature, not to say YA isn't good, because I've had my fair share of YA love too, I just don't read it as much as I used to and would like too.
With Adult books, description had babble on for pages at a time, inner thoughts could take up whole chapters, and the plot progression seems to be relatively slower in Adult fiction books, but I don't understand why. It would seem that adults have less free time to read the monster books than teens who have more breaks than most, even with all their studying and whatnot, there are some teens who can finish a book in at leat two or three days at the least, a week at the most. I mean, I read Divergent in four days, and that was from interruptions at school; I read Invincible by Sherrie Kenyon in 2 days, with interruptions from school; I was able to read The Hunger Games in just about 3 days, tops. I managed to swallow 11/22/63 by Stephen King in maybe a month, Harry Potter and the Order of the Phoenix in a similar, maybe a little bit longer, time frame. Under the Dome took me a few weeks because of the fact I didn't buy it until maybe a month after checking it out from the library, and the first time I checked it out, five months before the second check out, I'd only gotten up to page 206 or something.
The point is, the pacing of books differs greatly from book to book, and description plays a key role in how fast a writer writes, and a reader reads.
This stands half-true for Martin and his fans. The fans read the books faster than he can produce them, swallowing the mammoths in a few days, or a week at a time, even with their hectic schedule. And they continue to read even when his books become boring-A Feast for Crows and A Dance with Dragons.
So, that answers why fans are so fed up with Martins writing speed, especially since he is such a brilliant writer, with characters so compelling, that people just can't put the books down, possibly resulting in the deduction of pay every week.
Now, we come to why does Martin write so damn slow?
One of my theories is that, Martin just collects himself with too many different projects at a time, even though he says he enjoys this. Also, Martin seems to have a very, very large control over his writing schedule. Most series have deadlines they have to meet in order to get paid for their contracts, whereas Martin seems to write at any pace he wants, he almost writes like a self-published author who publishes on their own terms.
Another is that, well, like most others have said before, but Martins pretty old. Who knows how much time the geezer spends watching television, or resting in bed, or even reading books? It would seem that Martin spends some of his retirement while writing, seeing as if he doesn't finish the series by 2017 or so, he will be heading into his 70's, and I think by then, he may he all written out, with ASoIaF being his final work. But, I won't say that that's not a bad way to go out, I mean look at what he's done with it! Also, maybe Martin is punishing fans because of all their nasty remarks about how old, fat, and tired his is daily. Maybe he just wants to let them all simmer in a pot until they burn over, then release the next book. He's waiting out the storm.
I just hope that Martin dosen't end up like Paul Sheldon, kidnapped by a fan and forced to write day in and day out, surviving on only coffee and crackers. Shiver. We can only hope that Martin doesn't die that way.
Martin is, unfortunately, like many other adult authors who can afford this. Stephen King can write 1,000 page novels, but he of course, takes 5 years max on each one-The Stand and It; Under the Dome took him a stunning 2 years to write, from 2007 to 2009-but the thing is, they aren't in a series, so he doesn't have to be pestered by fans who want him to write the books faster-I feel very sad for Martin who is probably complained to about this daily. On Martin's Wikipedia page, it is said that he writes everyday, starting where he left off each time without editing. This has been proven to be fiction since it is known that Martin takes a sort of holiday during Football season since he takes NFL very seriously. He also runs a blog, and he has the HBO show to work on, and not the mention that he's human.
I know many fans have heard this before, but Martin can't spend his every waking hour on the books. If he did this, I'm sure he'd commit suicide. The thing that I have learned as an author is that, several things happen when your writing, especially sequels. One of them is that, you are at a loss for what should happen next, or you even become bored of your characters-maybe that is one of the reasons why third person narrative works so well; in third person, you have a bazillion characters to lean on if you get bored with one-also, you have to remember that Martin has told us that he had nothing written down. So in some ways, he's writing these books off the top of his head, and he seems to not have any major plot points, or even minor ones, to look over and say 'Oh, yeah, that would be good to add here right now' to move it along a little faster. Don't get me wrong, I keep very minimal notes as well. One of the books I'm writing called Hero has a few notes that I wrote down, nothing like plot points, but stuff that I needed to know and remember to make sure I got there.
One of the benefits, I have found, of writing down notes for things that you one to happen is that you can rely on them to guide the story. You can write up to that point, and your novel will move smoothly. It seems to work that way for many television shows. They will build up and up to this big climax every other episode, and you find that the show ran quickly.
Martin, from what I have gathered, seems to spend a lot of time on extra, unnecessary details. Maybe he isn't as bad as some authors who describe every article of clothing, and every movement of the characters wrist, but he must be pretty big on details to take up 900 and 1,000 page novels, I mean all of it can't be plot, some of it has to be setting and description, and inner thoughts of characters.
This makes me think about something that I notice in YA fiction, as well. In YA fiction, the books are pretty short compared to a lot of adult novels. In YA fiction, description is kept at a one sentence to one paragraph(and I mean the five liner ones, not the epic Stephen King paragraphs)descriptions, and they spend no time elaborating very greatly on the characters clothes in these settings. In YA, they are pretty much forced to move the story along quickly in order to keep the readers attention. In some ways, YA is a show of how short of an attention span we humans have for literature, not to say YA isn't good, because I've had my fair share of YA love too, I just don't read it as much as I used to and would like too.
With Adult books, description had babble on for pages at a time, inner thoughts could take up whole chapters, and the plot progression seems to be relatively slower in Adult fiction books, but I don't understand why. It would seem that adults have less free time to read the monster books than teens who have more breaks than most, even with all their studying and whatnot, there are some teens who can finish a book in at leat two or three days at the least, a week at the most. I mean, I read Divergent in four days, and that was from interruptions at school; I read Invincible by Sherrie Kenyon in 2 days, with interruptions from school; I was able to read The Hunger Games in just about 3 days, tops. I managed to swallow 11/22/63 by Stephen King in maybe a month, Harry Potter and the Order of the Phoenix in a similar, maybe a little bit longer, time frame. Under the Dome took me a few weeks because of the fact I didn't buy it until maybe a month after checking it out from the library, and the first time I checked it out, five months before the second check out, I'd only gotten up to page 206 or something.
The point is, the pacing of books differs greatly from book to book, and description plays a key role in how fast a writer writes, and a reader reads.
This stands half-true for Martin and his fans. The fans read the books faster than he can produce them, swallowing the mammoths in a few days, or a week at a time, even with their hectic schedule. And they continue to read even when his books become boring-A Feast for Crows and A Dance with Dragons.
So, that answers why fans are so fed up with Martins writing speed, especially since he is such a brilliant writer, with characters so compelling, that people just can't put the books down, possibly resulting in the deduction of pay every week.
Now, we come to why does Martin write so damn slow?
One of my theories is that, Martin just collects himself with too many different projects at a time, even though he says he enjoys this. Also, Martin seems to have a very, very large control over his writing schedule. Most series have deadlines they have to meet in order to get paid for their contracts, whereas Martin seems to write at any pace he wants, he almost writes like a self-published author who publishes on their own terms.
Another is that, well, like most others have said before, but Martins pretty old. Who knows how much time the geezer spends watching television, or resting in bed, or even reading books? It would seem that Martin spends some of his retirement while writing, seeing as if he doesn't finish the series by 2017 or so, he will be heading into his 70's, and I think by then, he may he all written out, with ASoIaF being his final work. But, I won't say that that's not a bad way to go out, I mean look at what he's done with it! Also, maybe Martin is punishing fans because of all their nasty remarks about how old, fat, and tired his is daily. Maybe he just wants to let them all simmer in a pot until they burn over, then release the next book. He's waiting out the storm.
I just hope that Martin dosen't end up like Paul Sheldon, kidnapped by a fan and forced to write day in and day out, surviving on only coffee and crackers. Shiver. We can only hope that Martin doesn't die that way.
My Book is NOT the Maze Runner
MY BOOK IS NOT THE MAZE RUNNER!
Just wanted to write a quick post about how my book is not The Maze Runner by James Dashner. This is more a disclaimer message to all the people who want to read my book that I should have put into the book in the first place, of course I ignored my own intuition that this would happen.
Ever since people have found out that I wrote and published my book, and they found out that the title was The Maze Games, they have been dogging me about how, 'Oh that sounds just like the Maze Runner' and 'Nope! You copies the Maze Runner, stop denying it!' and things of the nature. To all the people who say that, I won't say screw you, but screw you! Look, I have never read the Maze Runner because, I've learned that an author shouldn't read their competition, even one of my all time favorite authors Michael Grant told aspiring writers not to read the competition. I why read your competitors work? Shouldn't you be focusing on your own work, and trying to make it the best it can be?
I had the Maze Runner at one point, it was just a month before I had finally come up with the whole concept of the Maze Games-I had previously just been tossing around ideas. I picked it up three or four times, read the first chapter but never had the will to read the rest. I don't really want to read it now, even though it's supposed to be this great, great dystopian novel-not to say that mines is any better-and is the next Hunger Games.
Let me just say that EVERYTHING-literally- is the next Hunger Games. Dust Lands, Divergent, Dark Inside, The 5th Wave, Seeker, Legend, Delirium, Matched-and the list goes on!
I understand that The Hunger Games was great, I mean I really liked it, adored it and went to go see the premiere, but it's not the first iconic novel or ground breaking book, and I hate how people compare everything to it like they compare all supernatural books to Twilight. In a way, I hope that my book doesn't become this phenomenon that everyone compares everything too because it becomes annoying to everyone.
Anyhow, I just want to say that I have never read The Maze Runner, and I never will for obvious reasons. I'm not even going to go see the movie, because I'm sick of people telling me my book is just like it. I feel like Suzanne Collins who constantly denies ever reading Battle Royale. And I know that it's never going to end because people are going to find all kinds of similarities between my book and Dashner's, but I guess I just have to keep my head up and be confident, because I still have 4 books to write in the series, and those who liked the first and want to read the rest, I should be worried about them and getting the books finished, not what book my book is like.
On my Book
Didn't mean to offend nobody
So, this is the second blog of the day, and probably the second of many more tonight, and it seems that I still have no life. Just joshing, my life consists of drinking Shasta soda, watching Lost, and being a writing hermit who fears the sun. Yep, life is wonderful in my dark chamber of secrets.
What I want to talk about in this post is my book, which was published this year, and about writing in general. Now, in the first post I wrote on here, I kind of just rambled because I had no one to ramble on to. And I also criticized GRRM's A Game of Thrones. Most people who comment on here are probably going to bash me for calling AGoT boring, and telling me my writing is probably nothing more than the scum of the earth, and a piece of shit that I decided to publish with the little money I can gather in a short month.
Well, I'm not going to stop you, because you're probably right, for the most part. The thing is, I wrote that book a year ago, and personally, it could be a lot better, edited better, and again, better as a whole. If I could, I would rewrite the damned thing and call it a day. But, at the same time, I'm happy with what it is, and I'm happy that I published a book, seeing it is the biggest aspiration of my childhood to write and distribute a book that came from the butt-crack of my imagination. So, yes, call me whatever you like, criticize my boo-I could use it! Because in the end, it's what I need. All writers need to be rejected at some point or another, or they won't be very good writers because all your crap will just be a bunch of batshit that makes no sense, and only they think it's Mona Lisa.
Going on from that, let me just tell you a little about my book. For one thing, I started writing my first book The Maze Games, in May of 2012, and finished it around late September of the same year. I was young and naive, I thought that when I published it, it would be a breakout hit, I was looking forward to being the next Veronica Roth or Suzanne Collins. I was looking forward to all these interviews and talk-shows about me and my book, and boy, I though that I was the shit, and boy was I wrong! Now that the book is out, I'm writing the sequel and two other books that will be published, and personally I feel like these are way better than The Maze Games, and shouldn't they be? I mean, I'm sure a lot of our favorite authors weren't much better than I at my age. I'm sure that they were just typing, or long-handing day after day, without caring about editing or the story making since, we just want to get the story down and have someone read it. I digress though, so let me continue.
Along with finishing it in September, I published it at the start of October. Despite all my research of both Formal and Self-Publishing, I still wanted my book to be out by December, I was ready to see it in my hands, to feel the glossy paperback cover, and to know that it was mine, and to see it stand on the shelf of all my favorite authors, and know that I'm with them now. Of course, it wasn't until about 6 months later--just about how much time I took to write it--that I got to see it in my hands. We'd been waiting for weeks after my publisher emailed me saying that the book was coming, of course it was nearly the end of the school year before it got here, and my mother had laid them out on the floor where I walked in. I can tell you that I probably looked like one of those Anime Girl's when they do their superpower move or what ever, and flipped the F out.
And so, I posted on Facebook-not twitter, I detest twitter with a fury-and was filled with glee. You couldn't pry my book out of my hands if you tried, and I would have slept with it if I was just that crazy. So, then we planned a book signing, we had to reschedule because the books wouldn't make it until one day before the signing, but now its next week, so yeah. That's the extent of my writing career as of now, and I suppose I'm good with that, shouldn't every writer be?
You can purchase my book The Maze Games here at Amazon.com right now!
Reading Game of Thrones (Kind of)
The Fantasy Phenomenon has reached me...
As much as I had told myself I would not read A Game of Thrones, and fall under the 'literary phenomenon' of this year--or last year, or 17 years ago, or whatever--I have failed to keep my personal promises. After the recent explosion of the Red Wedding on the HBO show, I have found myself more compelled than ever to read the series to know what all that happened. Now, before I go on, let me say that I wasn't even every much shocked by the Red Wedding, maybe it's because I only just began watching the show, am stalled at episode 2-thanks a lot HBO piracy policies!-and can't seem to find it online, and I doubt YouTube will have a link to it. Anyhow, I really wasn't all that moved or horrified by the terror of the Red Wedding. Sure they killed the pregnant girl, and sure Catelyn's little neck cutting stunt was quite the sight, I wasn't at all very 'HOLY SHIT, THEY ALL DIED!'. I was more impressed at the scene, just not mortified by it.
Moving on from that, I know speak about actually reading 'A Game of Thrones' by the American J.R.R Tolkien George R.R. Martin. The first time I ever came in contact with any of the Song of Fire and Ice books was at Wal-Mart browsing-it was a different time, I couldn't get to B&N or HPB-and saw the fifth book in the series 'A Dance with Dragons' and I was compelled to buy it, only to find it was part of a series. I have only read one series out of order, and that was the Percy Jackson series, ever since, I have always read a series from start to finish no matter what I had to do-even if I had to slaughter one hundred Starks for it. Anyhow, because I could not find the other books in the Wal-Mart, I ignored it, but kept picking it back up, wanting to read it so bad, and knowing I could not. Also I was on a budget of 20 bucks, and the book was 25.
Two years later, 2013, AGoT has returned to my attention, begging me to read it, to cherish it, to see all the gory, sexy, and brutal scenes that it held within its fine smelling pages. Yes, A Game of Thrones called to me. Alas, before I bought it-the first time-I was reluctant because of how popular it was. I have tried and tried again to stray from the popular series since sometimes they turn out to be complete pieces of shit and a waste of my time-cough-Fallen-cough. So, it was a grand three months before I decided it was time for me to sit down and read fantasy, and a little side-note it was lucky because I was in one of my moods where there was nothing to read in my library but fantasy, so lucky AGoT.
So, sometime in May, when I did buy it, I started reading, expecting it to begin with some epic scene that would compell me to read on. I'd read the prologue at least 4 times before I bought it-at Wal-Mart when they did have it-and I coudl barely get through the first page. This was before I said I would just read, and so when I did, my final opinion on the Prologue was a pretty good beginning. Though, I expected that same pace to acarry on into the first chapters, and as far as the actual first chapter went it did, but the rest bored me, and I last stopped at page seventy-something. Yes, I thought that A Game of Thrones was pre-etty boring.
Now, though, after watching the first two episodes I am scratching for the book to be in my grip again, because now I know things don't keep the pace of those first chapters. But too bad for me, because when I went to Half-Price Books on my lime green and white bike at top speed, nearly getting hit by several cars in the process, and tethering my bike to the rack-despite the fact that the lock had fallen from the bike, and only gave the illusion of it having a lock-I found it was not there. You see, I have skipped a part of my tale, the part where I traded in A Game of Thrones and A Storm of Swords. When I had traded them, they wer on the shelves a few minutes later, and I came to believe-stupidly-that they would be there for a substantial amount of time. They were not.
I looked hither and fro, rounding bookshelves, and running into a young lesbian couple in the process, and found that A Game of Thrones had dissipated into thin air. Gone. No flash of light. No Poof. No Explosion*. I was filled with anguish and I groaned in failure, that I had come all this way, only to find that the book I so desperately needed like cocaine, was no there. Though I did find a 2002 edition of A Clash of Kings, so I guess that's a plus. I think.
So, here I sit, once more, at my laptop on my cluttered desk, writing my first blog and telling you my story about how I never got to continue A Game of Thrones. Yet, I forget one single thing- I am reading it online, for free. But I don't like e-books, and its in terrible format; furthermore, I can only bare to stare and read from a screen for a short period of time before I swipe up a physical book and sniff its pages.
*Yes, I just quoted Gone, kind of.
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